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Woodstock: Interviews and Recollections : Interviews and Recollections
Featuring a foreword from legendary director Martin Scorcese,Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock.Assembled by associate producer Dale Bell, the oral history takes readers behind the scenes—and behind the camera—at the decade-defining event.
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Doing Interviews
This is a concise introduction to the richness and scope of interviewing in social science research, teaching the craft of interview research with practical, hands-on guidance. Incorporating discussion of the wide variety of methods in interview-based research and the different approaches to reading the data, this book will help you to navigate the broad field of qualitative research with confidence and get out there and start collecting your data.
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Interpreting Interviews
Through the use of eight original metaphors for understanding what may happen in interviews and what may guide the interviewee (more than telling the truth or revealing experiences), the reader is encouraged to do interviews in clever ways.This text enables you to question the interpretive nature and theoretical underpinnings of the interview method, and of the knowledge which is conveyed through it. The updated second edition includes new content on: • How to avoid traps in interviews • How to use interviewees with experience and insight • How to work creatively with generative material • The value of repeat interviewing over time • The importance of supplementing interviews with other methods • Possibilities of interview-based research accompanied by examples This text is essential reading for upper undergraduate and postgraduate students of qualitative methods, and researchers looking to more clearly conceptualize their interviewing practice and explore its theoretical basis. Mats Alvesson is professor at University of Bath and is also affiliated with Lund University, Stockholm School of Economics and Bayes Business School.
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Philips VoiceTracer Interviews
Specifically designed for recording audio from interviews and small meetings. Features two high quality microphones. High capacity Li-ion battery. 8GB storage capacity. Large colour display.
Price: 77.39 € | Shipping*: 0.00 €
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Why do radio interviews on the news take so long?
Radio interviews on the news can take a long time because they often involve in-depth discussions on complex topics. The host and guest may need time to fully explore different angles of a story or issue, provide context, and allow for detailed explanations. Additionally, the format of radio allows for more in-depth conversations compared to other news mediums, as there are no time constraints imposed by visuals or editing. This extended time also allows for a more nuanced and comprehensive understanding of the topic being discussed.
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On which radio stations can I listen to sophisticated reports, interviews, etc. on current topics?
You can listen to sophisticated reports, interviews, and discussions on current topics on radio stations such as NPR (National Public Radio), BBC World Service, and CBC Radio. These stations are known for their in-depth coverage of a wide range of topics, including politics, culture, science, and more. They often feature expert analysis, insightful interviews, and thought-provoking discussions that provide listeners with a deeper understanding of the world around them.
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Are TV and radio stations obligated to broadcast news?
TV and radio stations are not legally obligated to broadcast news, but many choose to do so as part of their commitment to serving the public interest. In some countries, there may be regulations or licensing requirements that mandate a certain amount of news programming, but this varies by jurisdiction. Ultimately, the decision to include news in their programming is up to the individual stations and their management.
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Why do these politicians always appear so professional and serious in news interviews?
Politicians often appear professional and serious in news interviews because they are representing their constituents and their political party. They want to convey a sense of authority, credibility, and competence to the public. Additionally, news interviews are a platform for them to discuss important issues and policies, so they want to appear focused and knowledgeable. Lastly, maintaining a serious demeanor can help them stay on message and avoid making any off-the-cuff remarks that could be misinterpreted or taken out of context.
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Jane Campion : Interviews
In outstanding films that are sharply focused on unusual women Jane Campion has gained worldwide admiration and respect.This New Zealand director first attracted international attention with her 1989 film Sweetie, an acerbic study of two sisters in a wildly dysfunctional family.She followed this in 1990 with the television miniseries An Angel at My Table, based on the autobiography of New Zealand author Janet Frame.Subsequently released in theatres, the film chronicles the early trials of the young writer.Poor, timid, and physically awkward, Frame was misdiagnosed as schizophrenic and was scheduled for a lobotomy, but her success as a writer enabled her to escape this fate and won her fame and acceptance.In 1993 in yet another story about an extraordinary woman, Campion made the award-winning film The Piano.It starred Holly Hunter as the Victorian mail-order bride who refuses to speak.Arriving in New Zealand with her young daughter, the young Scottish widow confronts isolation in the wilderness and communicates only via her piano until she finds real love in her husband's neighbor, played by Harvey Keitel.Campion next adapted Henry James's The Portrait of a Lady, starring Nicole Kidman as Isabel Archer, a young American heiress seduced by a decadent pair of expatriates living in Italy. In this collection of interviews Campion speaks of these films that have given women a revival as a strong screen presence.Campion tells of her early life in Wellington and of her training as a filmmaker in the 1980s at the Australian School of Film and Television.She speaks of those who have influenced her style and her experiences in making movies. Campion received the Academy Award for Best Original Screenplay in 1993 and was the first woman director to win the Palme d'Or at Cannes.Virginia Wright Wexman, a professor of English and Associate Vice-Chancellor of Academic Affairs at University of Illinois, Chicago, has published Creating the Couple, Roman Polanski, and Letter from an Unknown Woman, as well as articles in Film Quarterly and Cinema Journal.
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Carlos Saura : Interviews
Thrust into the international spotlight in 1966 when The Hunt, his critique of the Franco regime, won the Silver Bear at Berlin, Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding presence and frequent victor at worldwide cinema competitions ever since. Best known in the United States for his Flamenco trilogy--Blood Wedding, Carmen, and A Love Bewitched--he also received Oscar nominations for Mama Turns a Hundred, Carmen, and Tango.Saura's movies are frequently ambiguous, sometimes controversial, and always narratively complex.In many of his films, such as Cría and Goya in Bordeaux, he creates sophisticated expressions of time and space by fusing reality with fantasy, past with present, and memory with hallucination. Carlos Saura: Interviews collects interviews the filmmaker has given in Spain, France, Germany, and Canada.All of the conversations appear here in English for the first time, and, as such, they represent a treasure trove of comments by Saura on his own work. Covering the entire spectrum of his career, including his latest film Buñuel and King Solomon's Table, the interviews discuss his early contributions to the New Spanish Cinema, his documentaries and documentary-like urban films, his cinematic essays on historical figures, his dance films, his adaptations of literary and theatrical works, and the films rooted in his personal reminiscences of the Spanish Civil War. In addition, the collection touches upon Saura's efforts as a photographer, opera director, and novelist and explores his friendship with filmmaker Luis Buñuel.These interviews disclose Saura's amazingly consistent approach to his cinema, his role as an auteur, and the principles on which his creativity and intuition continue to build in innovative ways.Linda M. Willem is professor of Spanish at Butler University.She is the author of Galdós's Segunda Manera: Rhetorical Strategies and Affective Response and editor of A Sesquicentennial Tribute to Galdós.Her work has been published in Literature/Film Quarterly, Bulletin of Hispanic Studies, Latin American Literary Review, Letras Peninsulares, and Crítica Hispánica.
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Donald Judd Interviews
Donald Judd Interviews presents more than sixty interviews with the artist over the course of four decades, and is the first compilation of its kind.It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock.The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s.The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R.Lippard and Barbara Rose. Judd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries.In one of the last interviews, he was asked, “What kind of advice do you have for young artists and architects based on all the things you thought all these years?” Judd responded, “To remember that art and architecture are both real activities with their own integrity and that they are not basically commercial activities and you have to partly live with that.Certainly, it’s not hard to maintain the difference ...I think both activities, to repeat myself, have an integrity.They are each a particular activity, and if you don’t like that activity, don’t do it.Go do something else. If you really want to make a lot of money, go sell cars or something.”Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books.The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).
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The Richter Interviews
The Richter Interviews collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration.Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists.The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007.Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.Obrist deftly guides the reader through a dazzling array of topics and offers an invaluable historical perspective on Richter s place within the art world of the 20th and 21st centuries.Illustrations of discussed artworks by Richter feature thro
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"Are job interviews pure fakery?"
Job interviews are not pure fakery, but they do involve a certain level of performance. Candidates are expected to present themselves in the best possible light and may not always be completely authentic in their responses. On the other hand, employers are also trying to sell the company and the position to the candidate, so there is an element of performance on their part as well. While there may be some level of fakery in job interviews, they are ultimately a necessary part of the hiring process to assess a candidate's qualifications and fit for the role.
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How do job interviews proceed?
Job interviews typically start with introductions and small talk to help establish rapport between the interviewer and the candidate. The interviewer then asks a series of questions to assess the candidate's qualifications, experience, and fit for the role. This is followed by the candidate asking questions about the company and the role. Finally, the interview usually ends with a discussion of next steps and a timeline for follow-up communication.
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How many expert interviews for BA?
There are typically around 5-10 expert interviews conducted for a Business Analysis (BA) project. The number of interviews can vary depending on the scope and complexity of the project, as well as the number of stakeholders involved. These interviews are crucial for gathering insights, requirements, and feedback from subject matter experts to ensure the success of the BA project.
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How do tattoos affect job interviews?
Tattoos can potentially affect job interviews depending on the industry and company culture. Some employers may view visible tattoos as unprofessional or not in line with their company image, which could impact their decision to hire a candidate. However, attitudes towards tattoos in the workplace are evolving, and many companies are becoming more accepting of visible body art. It's important for job seekers to consider the company's culture and dress code when deciding whether to display their tattoos during a job interview.
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